E-|---Song:-Recuerdos-de-la-Alhambra---------------|A-|---Author:-Francisco-Tarrega--------------------|D-|---Transcription-by:Christian Liang-------------|G-|---E-Mail:christian.liang@gmail.com-------------| B-|---http://www.chrisliang.com--------------------|E-|---Enjoy!---------------------------------------|
Recuerdos de la Alhambra by Francisco Tarrega (1852-1909)
Part A
[1] stretch contract
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R p a m i p a m i p a m i p a m i p a m i p a m i
L 4 ^ ^ 1 4 ^ ^ 3 4 ^ ^ 1 4 ^ ^ 3 2 ^ ^ 1 2 ^ ^
[2]
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R p a m i p a m i p a m i p a m i p a m i p a m i
L 2 ^ ^ 4 2 ^ ^ 3 2 ^ ^ 4 2 ^ ^ 3 2 ^ ^ 1 2 ^ ^
[3]
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R p a m i p a m i p a m i p a m i p a m i p a m i
L 4 ^ ^ 1 4 ^ ^ 3 4 ^ ^ 1 4 ^ ^ 3 4 ^ ^ 1 4 ^ ^
[4]
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R p a m i p a m i p a m i p a m i p a m i p a m i
L 4 ^ ^ 1 4 ^ ^ 3 4 ^ ^ 1 4 ^ ^ 2 1 ^ ^ 1 ^ ^
[5]
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R p a m i p a m i p a m i p a m i p a m i p a m i
L 1 2 ^ ^ 2 ^ ^ 3 2 ^ ^ 2 ^ ^ 2 1 ^ ^ 0 1 ^ ^
[6]V..............................
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R p a m i p a m i p a m i p a m i p a m i p a m i
L 4 1 ^ ^ 1 1 ^ ^ 1 1 ^ ^ 1 1 ^ ^ 2 1 ^ ^ 1 ^ ^
[7]
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R p a m i p a m i p a m i p a m i p a m i p a m i
L 1 2 ^ ^ 2 ^ ^ 3 2 ^ ^ 2 ^ ^ 3 2 ^ ^ 2 ^ ^
[8]
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R p a m i p a m i p a m i p a m i p a m i p a m i
L 1 2 ^ ^ 2 ^ ^ 3 2 ^ ^ 2 ^ ^ 3 2 ^ ^ 2 ^ ^
[9]VIII.............................VII............
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R p a m i p a m i p a m i p a m i p a m i p a m i
L 1 1 ^ ^ 3 1 ^ ^ 4 1 ^ ^ 3 1 ^ ^ 2 1 ^ ^ 4 1 ^ ^
[10]VIII...........................
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R p a m i p a m i p a m i p a m i p a m i p a m i
L 1 3 ^ ^ 1 1 ^ ^ 1 1 ^ ^ 1 1 ^ ^ 4 ^ ^ 2 4 ^ ^
[11]IX.............................................
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R p a m i p a m i p a m i p a m i p a m i p a m i
L 2 ^ ^ 1 2 ^ ^ 1 1 ^ ^ 1 1 ^ ^ 1 1 ^ ^ 1 1 ^ ^
[12]...............................................
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R p a m i p a m i p a m i p a m i p a m i p a m i
L 1 ^ ^ 3 1 ^ ^ 1 1 ^ ^ 3 1 ^ ^ 1 1 ^ ^ 3 1 ^ ^
[13]
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R p a m i p a m i p a m i p a m i p a m i p a m i
L 4 ^ ^ 3 4 ^ ^ 1 4 ^ ^ 3 4 ^ ^ 1 4 ^ ^ 3 4 ^ ^
[14]VII............................................ * X...............E|-------------------------------------------------|B|---8-^-^---8-^-^---8-^-^---8-^-^---10-^-^--10-^-^|G|-----------------9---------------10--------------|D|---------7---------------7---------------7-------|A|-------------------------------------------------|E|-9-----------------------------------------------| | | | | | | | | | | | | | | | | | | | | | | | | | |
R p a m i p a m i p a m i p a m i p a m i p a m i
L 3 2 ^ ^ 1 2 ^ ^ 4 2 ^ ^ 1 2 ^ ^ 4 4 ^ ^ 1 4 ^ ^
[15]
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R p a m i p a m i p a m i p a m i p a m i p a m i
L 2 4 2 4 2 ^ ^ 3 2 ^ ^ 4 2 ^ ^ 3 2 ^ ^
[16]
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R p a m i p a m i p a m i p a m i p a m i p a m i
L 1 2 ^ ^ 3 2 ^ ^ 4 2 ^ ^ 3 2 ^ ^ 4 2 ^ ^ 3 2 ^ ^
[17]
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R p a m i p a m i p a m i p a m i p a m i p a m i
L 4 ^ ^ 1 4 ^ ^ 3 4 ^ ^ 1 4 ^ ^ 3 2 ^ ^ 1 2 ^ ^
[18]I...............................................
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R p a m i p a m i p a m i p a m i p a m i p a m i
L 1 1 ^ ^ 1 1 ^ ^ 2 1 ^ ^ 2 1 ^ ^ 3 4 ^ ^ 2 4 ^ ^
[19]
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R p a m i p a m i p a m i p a m i p a m i p a m i
L 1 ^ ^ 2 1 ^ ^ 1 2 1 2
[20]
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L 2 1 2 1 2
[21] Part B
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R p a m i p a m i p a m i p a m i p a m i p a m i
L 1 3 1 3 2 1 2
[22]
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R p a m i p a m i p a m i p a m i p a m i p a m i
L 3 ^ ^ 1 3 ^ ^ 2 3 ^ ^ 1 3 ^ ^ 3 2 ^ ^ 1 2 ^ ^
[23]
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R p a m i p a m i p a m i p a m i p a m i p a m i
L 1 3 1 3 1
[24]
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R p a m i p a m i p a m i p a m i p a m i p a m i
L 1 3 1 3 1
[25]
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R p a m i p a m i p a m i p a m i p a m i p a m i
L 1 ^ ^ 3 1 ^ ^ 2 1 ^ ^ 3 1 ^ ^ 2 1 ^ ^ 3 1 ^ ^
[26]
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R p a m i p a m i p a m i p a m i p a m i p a m i
L 1 ^ ^ 3 1 ^ ^ 4 1 ^ ^ 3 1 ^ ^ 2 1 ^ ^ 3 1 ^ ^
[27]
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R p a m i p a m i p a m i p a m i p a m i p a m i
L 1 ^ ^ 2 1 ^ ^ 2 1 3 1
[28]
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R p a m i p a m i p a m i p a m i p a m i p a m i
L 1 3 1 3 1
[29]II.............................................
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R p a m i p a m i p a m i p a m i p a m i p a m i
L 1 4 ^ ^ 3 4 ^ ^ 1 4 ^ ^ 1 4 ^ ^ 1 4 ^ ^ 3 4 ^ ^
[30]IV.............................................
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R p a m i p a m i p a m i p a m i p a m i p a m i
L 1 1 ^ ^ 3 1 ^ ^ 2 1 ^ ^ 1 1 ^ ^ 2 1 ^ ^ 3 1 ^ ^
[31]IV.............................................
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R p a m i p a m i p a m i p a m i p a m i p a m i
L 1 4 ^ ^ 3 4 ^ ^ 4 2 ^ ^ 3 2 ^ ^ 4 2 ^ ^ 3 2 ^ ^
[32]...............................................
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R p a m i p a m i p a m i p a m i p a m i p a m i
L 1 2 ^ ^ 3 2 ^ ^ 4 2 ^ ^ 3 2 ^ ^ 4 2 ^ ^ 3 2 ^ ^
[33]
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R p a m i p a m i p a m i p a m i p a m i p a m i
L 1 4 ^ ^ 3 4 ^ ^ 3 4 ^ ^ 4 ^ ^ 2 4 ^ ^ 3 4 ^ ^
[34]II.............................
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R p a m i p a m i p a m i p a m i p a m i p a m i
L 1 ^ ^ 1 1 ^ ^ 1 1 ^ ^ 1 1 ^ ^
[35]
II...............................................
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R p a m i p a m i p a m i p a m i p a m i p a m i
L 3 ^ ^ 1 2 ^ ^ 1 1 ^ ^ 1 1 ^ ^ 3 1 ^ ^ 4 1 ^ ^
Ending 1
[36]................................................
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R p a m i p a m i p a m i p a m i p a m i p a m i
L 1 ^ ^ 1 1 ^ ^ 3 1 ^ ^ 1 1 ^ ^ 1 1 ^ ^ 3 2 ^ ^
Ending 2
[37]II........................
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R p a m i p a m i p a m i p a m i p a m i p a m i
L 1 ^ ^ 1 2 ^ ^ 1 2 ^ ^ 2 2 1 2 1
CODA
[38]II..............................................
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R p a m i p a m i p a m i p a m i p a m i p a m i
L 1 ^ ^ 1 1 ^ ^ 1 1 ^ ^ 1 1 ^ ^ 1 1 ^ ^ 1 1 ^ ^
[39]II.............................................
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R p a m i p a m i p a m i p a m i p a m i p a m i
L 1 ^ ^ 2 1 ^ ^ 2 1 ^ ^ 2 1 ^ ^ 2 1 ^ ^ 2 1 ^ ^
[40]
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R p a m i p a m i p a m i p a m i p a m i p a m i
L 3 2 1 ^ ^ 3 1 ^ ^ 2 4 ^ ^ 3 4 ^ ^
[41]
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R p a m i p a m i p a m i p a m i p a m i p a m i
L 1 3 1 3 1
[42]
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R p a m i p a m i p a m i p a m i p a m i p a m i
L 1 3 1 3 1
[43]
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R p a m i p a m i p a m i p a m i p a m i p a m i
L 1 ^ ^ 2 1 ^ ^ 2 1 ^ ^ 2 1 ^ ^ 2 1 ^ ^ 2 1 ^ ^
[44] II..............
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R p a m i p a m i p a m i p a m i p a m i p a m i
L 1 ^ ^ 2 1 ^ ^ 1 1 ^ ^ 1 1 ^ ^
[45]II.............................................E|-------------------------------------------------|B|-------------------------------------------------|G|---2-^-^---2-^-^---2-^-^---2-^-^---2-^-^---2-^-^-|D|---------2-------2-------3-------4-------3-------|A|-0-----------------------------------------------|E|-------------------------------------------------| | | | | | | | | | | | | | | | | | | | | | | | | | |
R p a m i p a m i p a m i p a m i p a m i p a m i
L 1 ^ ^ 1 1 ^ ^ 1 1 ^ ^ 2 1 ^ ^ 3 1 ^ ^ 2 1 ^ ^
[46]...............................................
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R p a m i p a m i p a m i p a m i p a m i p a m i
L 1 ^ ^ 1 1 ^ ^ 1 1 ^ ^ 1 1 ^ ^ 1 1 ^ ^ 1 1 ^ ^
[47]II.............................................
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R p a m i p a m i p a m i p a m i p a m i p a m i
L 2 ^ ^ 3 2 ^ ^ 3 2 ^ ^ 3 2 ^ ^ 3 2 ^ ^ 3 2 ^ ^
[48]
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R p a m i p a m i p a m i p a m i p a m i p a m i
L 3 2 1 ^ ^ 3 1 ^ ^ 2 4 ^ ^ 3 4 ^ ^
[49]
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R p a m i p a m i p a m i p a m i p a m i p a m i
L 1 3 1 3 1
[50] IV.............................................
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R p a m i p a m i p a m i p a m i p a m i p a m i
L 3 ^ ^ 1 3 ^ ^ 4 3 ^ ^ 1 3 ^ ^ 4 3 ^ ^ 1 3 ^ ^
[51]
E|---2-^-^---2-^-^---0-^-^---0-^-^-----------------|B|-----------------2-----------------3-^-^---3-^-^-|G|---------------------------------4---------------|D|---------2---------------2---------------2-------|A|-------------------------------------------------|E|-0-----------------------------------------------| | | | | | | | | | | | | | | | | | | | | | | | | | |
R p a m i p a m i p a m i p a m i p a m i p a m i
L 4 ^ ^ 1 4 ^ ^ 3 1 3 2 ^ ^ 1 2 ^ ^
[52]II.............................................
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R p a m i p a m i p a m i p a m i p a m i p a m i
L 1 ^ ^ 1 1 ^ ^ 1 1 ^ ^ 1 1 ^ ^ 3 1 ^ ^ 1 1 ^ ^
[53]II.............................................
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R p a m i p a m i p a m i p a m i p a m i p a m i
L 1 ^ ^ 1 1 ^ ^ 1 1 ^ ^ 1 ^ ^ 2 1 ^ ^ 3 1 ^ ^
[54]................................................
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R p a m i p a m i p a m i p a m i p a m i p a m i
L 1 ^ ^ 1 1 ^ ^ 1 1 ^ ^ 1 ^ ^ 2 1 ^ ^ 3 1 ^ ^
[55]II....................................
E|---------------------------------0---------------|B|-------------------------2---------------10------|G|-----------------2-------------------------------|D|---------2---------------------------------------|A|-0-----------------------------------------------|E|-------------------------------------------------| | | | | | | | | | | | | | | | | | | | | | | | | | |
R p p i m a m
L 1 2 3 2
[56]
E|-12=============================================-|B|-10=============================================-|G|-------------------------------------------------|D|-11=============================================-|A|-0==============================================-|E|-------------------------------------------------| | | | | | | | | | | | | | | | | | | | | | | | | | |
R a,m,i,p
L 4,2,3
[57]II.............................................
E|-------------------------------------------------|B|-------------------------------------------------|G|-2==============================================-|D|-2==============================================-|A|-4==============================================-|E|-5==============================================-| | |
R a,m,i,p
L 1,1,3,4
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Tips
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www.chrisliang.com
Recuerdos de la Alhambra by Francisco Tarrega (1852-1909)
Intro
This is one of the most popular tunes of Tarrega. Did you know the
standard nokia ring tone came from tarrega's "Gran vals".
Recuerdos de la Alhambra is globally known and it features the
glimmering tremolo technique (pami). Tremolo is a musical idea that
comes from the mandolin family of instruments. As the player plays
the tremolo with the a, m and i fingers, the thumb plays a nostalgic
melody in a contrapuntal style. There are not many tremolo songs
around that i am aware of. Other than this brillant piece, I know
Barrios has a couple of highly challenging tremolo songs:
"Un SueƱo En La Floresta" and "El Ultimo Tremolo" (Una Limosnita por
el Amor de Dios). Tremolo songs are not only rare but are strictly
made for guitar. It's hard to duplicate the tremolo effect on the
piano with the last 3 notes being the same. A piano tremolo will
sound odd.
Technique
57 Bars. AABBC. Andante. Tremolo.
Play AABBC. Part A twice then Part B twice with different endings
and finally Coda (C). The song features the special tremolo technique
(pami) for the right hand. Tremolo pattern P(ami): Thumb followed by the
same 3 notes (ring-middle-index) played over and over again. Vary the
volume during tremolo for a more expressive delivery.
Bar[1] Whenever a LH stretch appears, it must be followed by a LH
contraction. The left hand must always be evenly balanced. Both stretches
and contractions are performed with the participation of the wrist arm
and shoulder.Bar[9] Part A. There is a series of shifting barre chords
on the high frets. Bar[14] has a double barre chord. Hold Barre with index
as usual while simultaneously flatten your pinky to barre the higher notes.
* Bar 14. Double barre Chord. Hold Barre with
index then flattern pinky to barre the higher notes.
Tips
Give it some time to build tremolo speed. Start Slow and build speed
gradually. To practice, I normally mute the strings and play endlessly
watching television. After a while, your brain attunes itself and
automatically you can play the pattern at will and with authority.
Feel the string with every strike. To vary speed and sound evenness,
experiment on planting the sweeping fingers differently on the string.
Once you have acquired the tremolo skill, you can use it on any given
chords providing an uplifting and glimmering melody.
Notes
57 Bars. Play AABBC. Andante.
Part A twice then Part B twice with different endings and finally Coda (C)
^ = tremolo pattern of 3 plucks (ami) ring,middle,index.
For example- 5 ^ ^ - Right hand: pluck note on Fifth fret 3 times.
Play P(ami): Thumb followed by 3 tremolo notes over and over again. Vary
the volume during tremolo.
