Fernando Sor - Opus 35 No 22 In B Minor tab

E-|---Author:-Etudio V: Opus.35 No.22--------------|B-|---Transcription-by:Christian Liang-------------|G-|---E-Mail:christian.liang@gmail.com-------------|D-|---http://www.chrisliang.com--------------------|A-|------------------------------------------------|E-|---Enjoy!---------------------------------------|
Op 35 No 22 in Bm (Segovia Study No 5) - Fernando Sor (1778-1839) Grade 4- Late Intermediate
[1]Bm F#7 Bm/F# II IIE|-------------|-2-------2---|-0-------0---|-------------|B|-3-------3---|---3---3---3-|---2---2---2-|-3-------3---|G|---4---4---4-|-------------|-------------|---4---4---4-|D|-----4-------|-----4-------|-----4-------|-----4-------|A|-2-----------|-------------|-------------|-------------|E|-------------|-------------|-------------|-------------| | | | | | | | | | | | | | | | | | | | | | | | | | | | | |LH 2 4 3 4 2 4 1 2 3 2 1 2 1 3 1 1 2 4 3 4 2 4 1RH m i p i m i a m p m a m a m p m a m m i p i m i p
[5]F# Bm/F# Em/G F# IIE|-------------|-------------|-0-------1---|-2-----------|B|-2-------2---|-3-------3---|---0---0---0-|---2---2-----|G|---3---3---3-|---4---4---4-|-----0-------|-----3-----3-|D|-----4-------|-----4-------|-------------|---------4---|A|-------------|-------------|-------------|-------------|E|-------------|-------------|-------------|-------------| | | | | | | | | | | | | | | | | | | | | | | | | | | | | |LH 1 2 4 2 1 2 2 4 3 4 2 4 1 1 1 2 1 4 2
RH m i p i m i m i p i m i m i p i m i a m i m p i
[9]Bm F#7 G II IIE|-------------|-2-------2---|-0-------0---|-------------|B|-3-------3---|---3---3---3-|---2---2---2-|-3-------3---|G|---4---4---4-|-------------|-------------|---4---4---4-|D|-----4-------|-----4-------|-----4-------|-----5-------|A|-2-----------|-------------|-------------|-------------|E|-------------|-------------|-------------|-------------| | | | | | | | | | | | | | | | | | | | | | | | | | | | | |LH 2 4 3 4 2 4 1 2 3 2 1 2 1 3 1 1 1 2 3 2 1 2 1RH m i p i m i a m p m a m a m p m a m m i p i m i p
[13]A7/E Bm/F# F# Bm II II IIE|-0-------0---|-------------|-------------|-------------|B|---2---2---2-|-3-------3---|-2-------2---|---3---------|G|-----0-------|---4---4---4-|---3---3---3-|-4-----4-----|D|---------2---|-----4-------|-----4-------|-----4-------|A|-------------|-------------|-------------|---------2---|E|-------------|-------------|-------------|-------------| | | | | | | | | | | | | | | | | | | | | | | | | | | | | |LH 2 2 1 2 2 4 3 4 2 4 1 2 4 2 1 2 4 2 4 3 1
RH a m i m a m m i p i m i m i p i m i m a i m p p
[17]Bm/F# F#7 Bm F# II II IIE|-2-------2---|-0-------0---|-------------|-------------|B|---3---3---3-|---2---2---2-|-3-------3---|-2-------2---|G|-------------|-------------|---4---4---4-|---3---3---3-|D|-----4-------|-----4-------|-----4-------|-----4-------|A|-------------|-------------|-------------|-------------|E|-------------|-------------|-------------|-------------| | | | | | | | | | | | | | | | | | | | | | | | | | | | | |LH 1 2 3 2 1 2 1 3 1 1 2 4 3 4 2 4 1 2 3 2 1 2RH a m p m a m a m p m a m m i p i m i m i p i m i
[21]Bm/F# F#7 Bm F# II II IIE|---------2---|-0-----------|-------------|---2---------|B|-3---------3-|---2-----2---|-3-------3---|-2-----2-----|G|---4---4-----|-------3---3-|---4---4---4-|-----3-------|D|-----4-------|-----4-------|-----4-------|---------4---|A|-------------|-------------|-------------|-------------|E|-------------|-------------|-------------|-------------| | | | | | | | | | | | | | | | | | | | | | | | | | | | | |LH 2 4 3 4 1 2 1 3 2 1 2 2 4 3 4 2 4 1 1 2 1 4
RH m i p i a m a m p i m i m i p i m i m a i a p
[25]B7 Em A7 D II IIE|-------------|-0-----------|-------------|-------------|B|-4-------4---|---------0---|-2-------2---|-3-------3---|G|---2---2---2-|---0---0---0-|---0---0---0-|-------2---2-|D|-----4-------|-----2-------|-----2-------|-----4-------|A|-2-----------|-------------|-0-----------|---5---------|E|-------------|-0-----------|-------------|-------------| | | | | | | | | | | | | | | | | | | | | | | | | | | | | |LH 4 1 3 1 4 1 3 3 1 2 2 4 3 1 2 1 1RH m i p i m i a i p i m i m i p i m i a p i m a m p p p
[29]Am7/E E#dim7 F# IIE|-------------|-3---0-------|-------------|-----------2-|B|-1-------1---|---------1---|-0-------0---|---------2---|G|---0---0---0-|---0---0---0-|---1---1---1-|-3-----3-----|D|-----2-------|-2---2---2---|-----0-------|-----4-------|A|-------------|-------------|-------------|---4---------|E|-0-----------|-------------|-1-----------|-2-----------| | | | | | | | | | | | | | | | | | | | | | | | | | | | | |LH 1 2 1 4 2 1 1 2 2 2 2 3 4 2 1 1 2 2 1RH m i p i m i a i a i m i m i p i m i m p p i m a p p p p p p
[33]Bm F#7 Bm/F# II II IIE|-------------|-2-------2---|-0-------0---|-------------|B|-3-------3---|---3---3---3-|---2---2---2-|-3-------3---|G|---4---4---4-|-------------|-------------|---4---4---4-|D|-----4-------|-----4-------|-----4-------|-----4-------|A|-2-----------|-------------|-------------|-------------|E|-------------|-------------|-------------|-------------| | | | | | | | | | | | | | | | | | | | | | | | | | | | | |LH 2 4 3 4 1 4 1 2 3 2 1 2 1 3 1 1 2 4 3 4 2 4 1RH m i p i m i a m p m a m a m p m a m m i p i m i p
[37]F# Bm/F# Em/G F# II II IIE|-------------|-------------|-0-------1---|-2-----------|B|-2-------2---|-3-------3---|---0---0---0-|-------2---2-|G|---3---3---3-|---4---4---4-|-----0-------|-----3-------|D|-----4-------|-----4-------|-------------|---4-----2---|A|-------------|-------------|-------------|-------------|E|-------------|-------------|-------------|-------------| | | | | | | | | | | | | | | | | | | | | | | | | | | | | |LH 1 2 3 2 1 2 2 4 3 4 2 4 1 1 4 2 1 1 1
RH m i p i m i m i p i m i m i p i m i a p i m p m
[41]Bm/D C#7 F#7 G IV IVE|-2-------2---|-4-------4---|-6-------6---|-7-------7---|B|---3---3---3-|---6---6---6-|---5---5---5-|---0---0---0-|G|-----4-------|-----4-------|-----6-------|-----7-------|D|-0-----------|-------------|-4-----------|-5-----------|A|-------------|-4-----------|-------------|-------------|E|-------------|-------------|-------------|-------------| | | | | | | | | | | | | | | | | | | | | | | | | | | | | |LH 1 2 3 2 1 2 1 4 1 4 1 4 4 2 3 2 4 2 4 3 4 1 1 1RH m i p i m i m i p i m i m i p i m i m i p i m i p p p p
[45]A9/E Bm/F# F#7 Bm II II IIE|-3-------3---|-2-------2---|-2-----------|-------------|B|---2---2---2-|---3---3---3-|---2---2-----|-----0-------|G|-----4-------|-----4-------|-----3-----3-|-----4-------|D|-2-----------|-4-----------|---------2---|-----0-------|A|-------------|-------------|-------------|-----2-------|E|-------------|-------------|-2-----------|-------------| | | | | | | | | | | | | | | | | | | | | | | | | | | | | |LH 2 1 3 1 2 1 1 2 4 2 1 2 1 1 2 1 1 2 4 1 3 1 1RH m i p i m i m i p i m i a m i m p i a,m,i,p p p
Op 35 No 22 in Bm (Segovia Study No 5) - Fernando Sor (1778-1839) Grade 4- Late Intermediate Many Fernando Sor's songs are structure as Estudio or Study Exercises. The main goal of these "studies" is to provide memorable pieces and enhance the skill and knowledge of the practitioner. Andres Segovia selected a set of 20 of those studies, each emphasizing a particular aspect of technique, and these are now some of the best known of Sor's works. Opus 35. No22 is study 5 which deals with arpeggios. There are some Barred Chords here, mainly F# and Bm. The pluck pattern playing each note of the chord arpeggios is mostly (pim) with some variations. Suspend the bass (mostly F#) by using the thumb on a downstroke rather than an index on an upstroke. This gives it more power.
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