Gustavo Cerati – La Excepcion tab ver. 2

Setup:
 Fender Telecaster or Stratocaster. Bridge pickup.
 High Gain on Amp (or moderate distortion).
 Flanger on some riffs.

The song is comprised of several patterns outlined below.
The sequence/order of these easy to decipher.


PATTERN 1 (Positions shown, listen to track for proper strum pattern)
Note: These are rather odd chords played by Cerati. They are correct,
and can be clearly seen in the Vina del Mar DVD.

E||--7----(0)-----------|x3 4th time: |--7----(0)-----------(0)----|B||--7-----9-----(7)----| |--7-----9-----(7)-----9-----|G||--8-----9------7-----| |--8-----9------7------9-----|D||--9-----9------7-----| |--9-----9------7------9-----|A||--9----11------9-----| |--9----11------9-----11-----|E||--7----(0)-----x-----| |--7----(0)-----x-----(0)----|
Use these fills for Pattern 1 above:
1st Time 2nd Time 3rd Time|-------------|--12--------|----------------------||--(9)--9b~---|--15b~------|--7-----8-----9----10-||-------------|------------|--9b---10b---11b---12b||-------------|------------|----------------------||-------------|------------|----------------------||-------------|------------|----------------------|
PATTERN 2 (Positions shown, listen to track for proper strum pattern) Note: -Strum mostly on the EAD strings, not so much on the GBe strings. -On repeats #5,6,7 there are variants to the strum pattern. -Release the PM for the last two chords on last repeat.
Quiero ser... PM PM PM|--7----2----5----| x8 or x4|--7----2----5----||--8----3----6----||--9----4----7----||--9----4----7----||--7----2----5----|
PATTERN 3 (Positions shown, listen to track for proper strum pattern) (w/ slight Flanger effect)
Y que nos vuele... Un espacio...Este tiempo... Todo acaba...|--4----3----4----3----|--4----3----2--0----0----||--4----3----4----3----|--4----3----3--3----0----||--4----4----4----4----|--4----4----2--2----1----||--6----5----6----5----|--6----5----0--0----2----||--6----5----6----5----|--6----5------------2----||--4----3----4----3----|--4----3------------0----|
PATTERN 4 (Positions shown, listen to track for proper strum pattern)
Hoy hagamos... tanto hambre sin...|--7----3----5----0----|--4----5----5----0----||--7----3----5----0----|--4----7----5----0----||--8----4----6----1----|--4----7----6----1----||--9----5----7----2----|--6----7----7----2----||--9----5----7----2----|--6----5----7----2----||--7----3----5----0----|--4----5----5----0----|
Hoy hagamos... y que durar sea...|--7----3----5----0----|--4----3----2----4----||--7----3----5----0----|--4----3----2----4----||--8----4----6----1----|--4----4----2----4----||--9----5----7----2----|--6----5----4----6----||--9----5----7----2----|--6----5----4----6----||--7----3----5----0----|--4----3----2----4----|
PATTERN 5 (Positions shown, listen to track for proper strum pattern) Note: There are various simple fill-ins while this plays.
|--0----0----3----| x4|--0----2----3----||--1----2----0----||--2----2----0----||--2----0----2----||--0---------3----|
PATTERN 6 (Positions shown, listen to track for proper strum pattern)
Mecanismos... Es impostor...|--(0)----(0)----(0)----(0)----(0)----(0)----2----4----||---3------0------3------0------3------0-----2----4----||---2------1------2------1------2------1-----2----4----||---0------2------0------2------0------2-----4----6----||---0------2------0------2------0------2-----4----6----||----------0-------------0-------------0-----2----4----|
PATTERN 7 Guitar 1 plays
|--7----3----5----0----||--7----3----5----0----||--8----4----6----1----||--9----5----7----2----||--9----5----7----2----||--7----3----5----0----|
While Guitar2 plays
|-------------------------------------------------------------------------||-------------------------------------------------------------------------||-------------------------------------------------------------------------||-9-9-9-9-9-9-9-9-9-9-9-9-14-14-14-14-14-14-14-14-16-16-16-16-16-16-16-16-||-x-x-x-x-x-x-x-x-x-x-x-x--x--x--x--x--x--x--x--x--x--x--x--x--x--x--x--x-||-7-7-7-7-7-7-7-7-7-7-7-7-12-12-12-12-12-12-12-12-14-14-14-14-14-14-14-14-|
----------------------------------------------------------------------|----------------------------------------------------------------------|----------------------------------------------------------------------|-21-21-21-21-21-21-21-21-21-21-14-14-14-14-14-14-14-14-16-16-16-16-16-|--x--x--x--x--x--x--x--x--x--x--x--x--x--x--x--x--x--x--x--x--x--x--x-|-19-19-19-19-19-19-19-19-19-19-12-12-12-12-12-12-12-12-14-14-14-14-14-|
PATTERN 8 (Outro) Guitar 1 plays
|--4--------2--------4--------2--------4--------2--------||--4--------2--------4--------2--------4--------2--------||--4--------2--------4--------2--------4--------2--------||--6--------4--------6--------4--------6--------4--------||--6--------4--------6--------4--------6--------4--------||--4--------2--------4--------2--------4--------2--------|
While Guitar2 plays 'solo' style...
|------------------------|------------------------||--20b~--------20br~-----|--20br--------20b--r~---||------------------------|------------------------||------------------------|------------------------||------------------------|------------------------||------------------------|------------------------|
|--20b--------20~\-------||------------------------||------------------------||------------------------||------------------------||------------------------|
|--2--------------2----0---------0----| On a Strat, keep volume of Neck PU|--3----3---------3----3---------0----| at zero and toggle switch rapidly for|--2---------2----2----2---------1----| on/off effect at the end of song.|--0--------------0----0---------2----||--------------------------------2----||-------------------------------------|
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