Idina Menzel – Let It Go chords

             Let it Go - from the Disney's Frozen Soundtrack
           As sung by Idina Menzel voicing the character Elsa
(Not to be confused with the Demi Lovato version which is quite different)

Tabbed by: MySoapBox

Standard Tuning
Capo on 1

G (320033)
Dsus4/F# (200233)
Cadd9 (x32033)
Em7 (022033)
Asus4 (x02230)
G5/B  (x20033)
G5/A# (x10033)
Csus2 (x32030)

                                 Let it Go 

Em CThe snow glows white on the mountain tonight
D Asus4 AmNot a footprint to be seen
Em CA kingdom of isolation
D Asus4 AAnd it looks like I'm the queen
Em C D Asus4 AmThe wind is howling like this swirling storm inside
Em D ACouldn't keep it in, heaven knows I've tried
D CDon't let them in, don't let them see
DBe the good girl you always have to be
CConceal, don't feel, don't let them know
Csus2Well, now they know
G Dsus4/F#Let it go, let it go
Em7 Cadd9Can't hold it back anymore
G Dsus4/F#Let it go, let it go
Em7 Cadd9Turn away and slam the door
G Dsus4/F# Em7 Cadd9I don't care what they're going to say
G5/B G5/A#Let the storm rage on
CThe cold never bothered me anyway
[verse 2] G, Dsus4/F#
Em C D Am It's funny how some distance makes everything seem small
Em D Am AAnd the fears that once controlled me can't get to me at all
D C It's time to see what I can do
D To test the limits and break through
CNo right, no wrong, no rules for me
Csus2I'm free
[Chorus] Let it go, let it go I am one with the wind and sky Let it go, let it go You'll never see me cry Here I stand and here I'll stay Let the storm rage on [Bridge 2] ***short orchestration here***
CMy power flurries through the air into the ground
My soul is spiraling in frozen fractals all around
DAnd one thought crystallizes like an icy blast
Em C D Am CI'm never going back, the past is in the past
[Chorus] Let it go, let it go And I'll rise like the break of dawn Let it go, let it go That perfect girl is gone Here I stand in the light of day Let the storm rage on The cold never bothered me anyway Note: An acoustic guitar version of an orchestrated score is difficult and open to different interpretations. Feedback welcome.
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