Sara Bareilles – Gravity chords ver. 3

Chords:
Left handed
Transpose:
Dm7#5 is a difficult chord to play. I substitute the following two options:

1         0
1         3
0   and   3
0         3
1         3
1         0

For more:

http://www.gootar.com/folder/guitar.html m7#5 is around halfway down the menu.

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Intro: I play D (7th fret) and then G (open) on G string to open, before chords. 
It's what she plays on piano.

Cmaj7 Fmaj7
Cmaj7 Fmaj7

Verses I and II:

Dm7 G7Something always brings me back to you
Cmaj7 C Cmaj7 Fmaj7It never takes too long
Dm7 G7No matter what I say or do
Cmaj7 C Cmaj7 Fmaj7 Cmaj7 Fmaj7I still feel you here til the moment I'm gone
Dm7 G7You hold me without touch
Cmaj7 C Cmaj7 Fmaj7 You keep me without chains
Dm7 G7I never wanted anything so much
Cmaj7 C Cmaj7 Fmaj7 Cmaj7 Fmaj7Than to drown in your love and not feel your rain
Chorus:
Dm7 G7Set me free, leave me be
Cmaj7 Em Am7I don't want to fall another moment into your gravity
Dm7 G7Here I am, and I stand
Cmaj7 Em Am7So tall, just like I'm supposed to be
Dm7 Dm7#5But you're onto me, and all over me
Verse III:
Dm7 G7You loved me cause I'm fragile
Cmaj7 C Cmaj7 Fmaj7And I thought I was strong
Dm7 G7You touch me for a little while
Cmaj7 C Cmaj7 Fmaj7And all my fragile strength is gone
(Chorus) ...Dm7#5 ...and all over me... Bridge:
F G Cmaj7 Fmaj7I live here on my knees as I try to make you see
F G Cmaj7 Fmaj7That you're everything I think I need here on the ground
F G Cmaj7 Fmaj7But you're neither friend nor foe, though I can't seem to let you go
F G Em Am7The one thing that I still know is that you're keeping me
(Dm7 G7)Down....
Cmaj7 Am7Whoo...
Dm7 G7Keeping me down
Cmaj7 Am7yeah yeah yeah yeah
Dm7 Dm7#5you're onto me you're onto me and all over...
End:
Dm7 G7Something always brings me back to you
Cmaj7 C Cmaj7 Fmaj7It never takes too long
Cmaj7 Fmaj7 Cmaj7 Fmaj7 For an optional finish, to match how the chords go an octave up on piano, I do this: 12--12 12--10 12--10 10--10 x-- x x-- x --- The bridge contains a progression of several chords simultaneously to add drama. I picked the ones that worked best with the melody, the ones closest to what's on piano, and ignored the string part as best I could.
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