Slayer - Fictional Reality tab


-/
/ The following is the author's own interpretation of the song, to be used  /
/ for private use and studying                                             /
/-------------------------------------------------------------------------/
                            SLAYER - FICTIONAL REALITY 
                        From the Album DIVINE INTERVENTION 
                         Copyright 1995 AMERICAN RECORDS
                      
                           Version 1.0 - October 1998

Transcription By: Mike Kimball

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.  - palm mute                  /  - slide up to
\  - slide down to              ~  - vibrato             
h  - hammer on                  b  - bend 
p  - pull off                        Suffixes for bend    
ph - pinch harmonic                      f - full bend    h - half bend
*  - see comment                         r - release      t - tap bend
X  - percussion mute                     ~ - vibrato bend
@  - slight palm mute           () - ghost note, sustained note

Tuning: Eb(Eb,Ab,Db,Gb,Bb,Eb)

Fig. 1|-----------------------------------------------------|-----------------------------------------------------|-----------------------------------------------------|-----------------------------------------------------|--------------------2---1-------------------1---0-----|--4-0-2-5-2-0-3-0-2---2---4-0-2-5-2-0-3-0-1---1------ |___| |___| |___| |___| |___| |___| |___| |___|
End Fig. 1 Play four times.
Fig. 2|----------------------------------------------------|----------------------------------------------------|----------------------------------------------------|--------5p4---------------------5p4---------4-------|--------5p4---------------------5p4---------4-------|--0-0-0-----0-6-0-0-0-0-0-0-0-0-----0-6-0-0---6-4--- |___| |___| |___| |___| |___| |___| |___| |___| End Fig. 2
Play eight times, but on eighth time, play Fig. 3 in place of last three notes in Fig. 2
Fig. 3|--------------------------------------------------------|--------------------------------------------------------|--------------------------------------------------------|--------------------------------------------------------|--------0-----------0-----------0-----------0-----1-----|--2-1-0---4-3-2-1-0---4-3-2-1-0---4-3-2-1-0---4-3---3-2- |___| |___| |___| |___| |___| |___| |___| |___| |___| End Fig. 3
Fig. 4|--------------------------------------------------|--------------------------------------------------|--------------------------------------------------|--------------------------------------------------|--------------------------------------3-0-2-0-----|--0-0-2-0-0-0-3-0-2-0-0-0-5-0-3-0-0-0---------3-2- |___| |___| |___| |___| |___| |___| |___| |___|
|--------------------------------------------------|--------------------------------------------------|--------------------------------------------------|--------------------------------------------------|--------------------------------------3-2-0-------|--0-0-2-0-0-0-3-0-2-0-0-0-5-0-3-0-0-0-------4-3-2- |___| |___| |___| |___| |___| |___| |___| |___|
|--------------------------------------------------|--------------------------------------------------|--------------------------------------------------|--------------------------------------------------|--------------------------------------3-0-2-0-----|--0-0-2-0-0-0-3-0-2-0-0-0-5-0-3-0-0-0---------3-2- |___| |___| |___| |___| |___| |___| |___| |___|
|--------------------------------------------------|--------------------------------------------------|--------------------------------------------------|--------------------------------------------------|--------------------------------------1-0---------|--0-0-2-0-0-0-3-0-2-0-0-0-5-0-3-0-0-0-----4-3-2-1- |___| |___| |___| |___| |___| |___| |___| |___| End Fig. 4
Return to Fig. 2; but end with Fig. 5.Fig. 5|--------------------------------------------------------|--------------------------------------------------------|--------------------------------------------------------|--------------------------------------------------------|--------0-----------0-----------0-----------1-0---------|--2-1-0---4-3-2-1-0---4-3-2-1-0---4-3-2-1-0-----4-3-2-1- |___| |___| |___| |___| |___| |___| |___| |___| |___| End Fig. 5
Play Fig. 4 again.
Fig. 6|----------------------------------------------|----------------------------------------------|----------------------------------------------|----------------------------------------------|--3-----2-----1-----------3-----2-----1-------|----2-1---2-1---2-1-3-2-1---2-1---2-1---2-1-3- |___| |___| |___| |___| |___| |___| |___| | End Fig. 6
Fig. 7 Fig. 7 is mostly just hammer-ons at the fourth fret of the open E string; then on the E string, first fret. The rest is made up mostly of parts already shown. Use your ears. Check out 's Death/Black Tab Webpage at
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