The Devil Wears Prada - Outnumbered tab version 2

Song: Outnumbered
Artist: The Devil Wears Prada
Album: Zombies EP

Tuning: Drop B (B F# B E G# C#)

I have included both lead and rhythm because they compliment each other
So well in this song. Lead is the first half of the tab. Rhythm is the
Second half. I hope itís easy to follow, I added notes as necessary.
The outro is the only thing that confuses me so please read it carefully

LEAD: CHRISí PART

Repeat these 2 bars 4 times, 2nd time end in a pinch harmonic

C#|----------------------------------------|G#|----------------------------------------|E |----------------------------------------|B |----------------------------------------|F#|---554488775---554488775----------------|B |---------------------------88775544-----|
2nd timeC#|----------------------------------------------|------|G#|----------------------------------------------|------|E |----------------------------------------------|------|B |-------------------77--88----1010----10101212-|--12*-|F#|---554488775---5544--88--1010----1212---------|------|B |----------------------------------------------|------|
End in
C#|-----|G#|-----|E |-----|B |-----|F#|-0---|B |-0---| *
Repeat this bar twice
C#|--------------------------------------------------|G#|--------------------------------------------------|E |--------------------------------------------------|B |--------------------------------------------------|F#|-000000000---0-000-000-000---000000000-000000000--|B |-000000000---0-000-000-000---000000000-000000000--| ********* * *** *** *** ********* *********
C#|---------------------------------------|G#|---------------------------------------|E |---------------------------------------|B |-8-1----8-8---8-8---8---8-8---8-8------|F#|-8-1----8-8---8-8---8---8-8---8-8-12\--|B |-8-1--0-8-8-0-8-8-0-8-0-8-8-0-8-8-12\--| * * * * *
Sexy riff of sexiness
C#|-----------------------------------|G#|-----------------------------------|E |-----------------------------------|B |----------------5------------------|F#|----8-7-------------8-7---7h8p7-7*-|B |--0-----0-8-7-0---0-----0----------| * * * * *
C#|----------------------------------|G#|----------------------------------|E |----------------------------------|B |---8-8---8-8---8---8-8---8-8------|F#|---8-8---8-8---8---8-8---8-8-12\--|B |-0-8-8-0-8-8-0-8-0-8-8-0-8-8-12\--| * * * * *
C#|--------------------------------------------------------------------|G#|--------------------------------------------------------------------|E |--------------------------------------------------------------------|B |----------------5--------------------------------5------------------|F#|----8-7-------------8-7---7h8p7-7*---8-7-------------8-7---7h8p7-7*-|B |--0-----0-8-7-0---0-----0----------0-----0-8-7-0---0-----0----------| * * * * * * * * * *
For the following bars, just alternate (listen to the song) Rhythm guitar is the one playing the chords, lead plays this
C#|-------------------------------------|G#|-------------------------------------|E |-------------------------------------|B |-------------------------------------|F#|-------------------------------------|B |-888888888888-7777-55555555-77777777-|
He plays this live, so you can play this if you want toÖ I don't think this is audible in the recording though
C#|-------------------------------------------------------------------------|G#|-------------------------------------------------------------------------|E |-1515151515151515151515151515-14141414-1212121212121212-1414141414141414-|B |-------------------------------------------------------------------------|F#|-1313131313131313131313131313-12121212-1010101010101010-1212121212121212-|B |-------------------------------------------------------------------------|
Db|-----------------------------------|G#|-----------------------------------|E |-----------------------------------|B |-----------------------------------|F#|-------------------------/13-12-10-|B |-0-10h12-12~-0-10h12-12~-----------|
Eventually (this time he slightly bends and releases the 12ís)
C#|-------------------------------------------------------------|G#|-------------------------------------------------------------|E |-------------------------------------------------------------|B |-------------------------------------------------------------|F#|-------------------------0-0-0-------------------------0-0-0-|B |-0-10h12-12^-0-10h12-12~-0-0-0-0-10h12-12^-0-10h12-12~-0-0-0-| * * * * * *
The octave chords are barely audible, so you might wanna play rhythmís chords if you prefer (chords are 0 8 4 and 0 8 11 barre power chords)
C#|---------------------------------------------|G#|---------------------------------------------|E |-7---15---11------------7---15---18----------|B |-x----x----x------------x----x----x----------|F#|-5---13----9--0-1-2-1---5---13---16--0-1-2-1-|B |--------------0-2-3-2----------------0-2-3-2-| * * * * * * * *
This is what is being played in the background... Iíve seen live videos and sometimes he plays it live too
C#|------------------------------------|G#|------------------------------------|E |--20-------19------15------14-------|B |---x--x16---x--x16--x--x16--x--x16--|F#|--18-------17------13------12-------|B |------------------------------------|
But you should play this instead :D
C#|------------------------------------------------------------|G#|------------------------------------------------------5*----|E |------------------------------------------------------5*----|B |-----------1----------------------------1-------------5*----|F#|-0-1-2-1-0-1---0---0-0--0-0---0-1-2-1-0-1---0---0-0-0---00--|B |-1-2-3-2-1-1-0-0---0-0--0-0---1-2-3-2-1-1-0-0---0-0-0---00--| * * * * * * * * * * * * * * * * * * * * * **
C#|--------------------------------------------------------------|G#|--------------------------------------------------------------|E |--------------------------------------------------------------|B |-----------1----------------------------1-------------0-------|F#|-0-1-2-1-0-1---0---0-0--0-0---0-1-2-1-0-1---0---0-0-0-0-0-----|B |-1-2-3-2-1-1-0-0---0-0--0-0---1-2-3-2-1-1-0-0---0-0-0-0-0-3*^-| * * * * * * * * * * * * * * * * * * * * * *
Intro revisited (play these two bars twice)
C#|----------------------------------------|G#|----------------------------------------|E |----------------------------------------|B |----------------------------------------|F#|---554488775---554488775----------------|B |---------------------------88775544-----|
2nd timeC#|----------------------------------------------|------|G#|----------------------------------------------|------|E |----------------------------------------------|------|B |-------------------77--88----1010----10101212-|--12*-|F#|---554488775---5544--88--1010----1212---------|------|B |----------------------------------------------|------|
Repeat 2 times
C#|---------------------------------|G#|---------------------------------|E |---------------------------------|B |---------------------------------|F#|---------------------------------|B |-11-0-0---0-12-0-0---0-11-0-8-0--|
Repeat 2 times
C#|----------------------------------|G#|----------------------------------|E |----------------------------------|B |----------------------------------|F#|----------------------------------|B |-14-0-0---0-15-0-0---0-14-0-12-0--|
Alternate between these two bars
C#|-------------------------------------|G#|-------------------------------------|E |-------------------------------------|B |-------------------------------------|F#|-------------------------------------|B |-888888888888-7777-55555555-77777777-|
C#|-----------------------------------|G#|-----------------------------------|E |-----------------------------------|B |-----------------------------------|F#|-------------------------/13-12-10-|B |-0-10h12-12~-0-10h12-12~-----------|
Last time around
C#|------------------------------|G#|------------------------------|E |------------------------------|B |----------------------------7-|F#|----------------------------7-|B |-888888888888-7777-55555555-7-|
IMPORTANT!!! The tremolo picking part sounds right/better when played ALONG with rhythm guitar (which plays 5ís then 7ís), although if you want it to sound closer to the play 5ís then 4ís instead of 8ís then 4ís
C#|----------------------------------------------------------------|G#|----------------------------------------------------------------|E |----------------------------------------------------------------|B |----------------------------------------------------------------|F#|-00---0-00-00---00000---00---000000---0-00-00-------------------|B |-00---0-00-00---00000---00---000000---0-00-00-88888888-44444444-| ** * ** ** ***** ** ****** * ** **
2nd and 4th time
C#|------------------------------------------------------------------------|G#|------------------------------------------------------------------------|E |------------------------------------------------------------------------|B |------------------------------------------------------------------------|F#|-00---0-00-00---00000---00---000000---0-00-00---------------------------|B |-00---0-00-00---00000---00---000000---0-00-00-88888888-1010101010101010-| ** * ** ** ***** ** ****** * ** **
Sketchy/barely audible/wtf is going on outro
C#|-------------------------------------|G#|-------------------------------------|E |--7-7-7-7-7-7-7-7-7-7-7-7-7-7-7-7----|B |-------------------------------------|F#|--5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5--0-|B |-----------------------------------0-| *
If you watch live videos you can clearly see Jeremy (rhythm) playing the previous bar Chris (lead) plays this chord multiple times..you can kindaaaa hear this being played along with the 5x7 octaves, but the outro by itself is already just an audio mess Strum lightly
C#|---------------|G#|---------------|E |--15-----------|B |--14---x16-----|F#|--13---------0-|B |-------------0-| *
RHYTHM: JEREMYíS PART
C#|---------------------------------------------|G#|---------------------------------------------|E |---------------------------------------------|B |---------------------------------------8-1---|F#|-000000000---000000000------------0000-8-1---|B |-000000000---000000000-88775544---0000-8-1---| ********* ********* ****
C#|---------------------------------|G#|---------------------------------|E |---------------------------------|B |-0---0--------------0------8-1---|F#|-0---0--------------0------8-1---|B |-0---0---88775544---0------8-1---|
C#|--------------------------------------------|G#|--------------------------------------------|E |--------------------------------------------|B |--------------------------------------8-1---|F#|-000000000---000000000--000-000--0000-8-1---|B |-000000000---000000000--000-000--0000-8-1---| ********* ********* *** *** ****
End in
C#|-----|G#|-----|E |-----|B |-----|F#|-0---|B |-0---| *
Repeat this bar twice
C#|--------------------------------------------------|G#|--------------------------------------------------|E |--------------------------------------------------|B |--------------------------------------------------|F#|-000000000---0-000-000-000---000000000-000000000--|B |-000000000---0-000-000-000---000000000-000000000--| ********* * *** *** *** ********* *********
C#|---------------------------------------|G#|---------------------------------------|E |---------------------------------------|B |-8-1----8-8---8-8---8---8-8---8-8------|F#|-8-1----8-8---8-8---8---8-8---8-8-12\--|B |-8-1--0-8-8-0-8-8-0-8-0-8-8-0-8-8-12\--| * * * * *
Sexy riff of sexiness
C#|-----------------------------------|G#|-----------------------------------|E |-----------------------------------|B |-----------------------------------|F#|----5-4---------7---5-4---4h5p4-7*-|B |--0-----0-8-7-0---0-----0----------| * * * * *
C#|----------------------------------|G#|----------------------------------|E |----------------------------------|B |---8-8---8-8---8---8-8---8-8------|F#|---8-8---8-8---8---8-8---8-8-12\--|B |-0-8-8-0-8-8-0-8-0-8-8-0-8-8-12\--| * * * * *
C#|--------------------------------------------------------------------|G#|--------------------------------------------------------------------|E |--------------------------------------------------------------------|B |--------------------------------------------------------------------|F#|----5-4---------7---8-7---4h5p4-7*---5-4---------7---5-4---4h5p4-7*-|B |--0-----0-8-7-0---0-----0----------0-----0-8-7-0---0-----0----------| * * * * * * * * * *
Alternate between these two bars
C#|-----------------|G#|-----------------|E |-----------------|B |-8-----7-5---7---|F#|-8-----7-5---7---|B |-8-----7-5---7---|
C#|---------------------------------|G#|---------------------------------|E |---------------------------------|B |---------------------------------|F#|-------------------------/10-8-7-|B |-0-10h12-12~-0-10h12-12~---------|
Eventually ONLY PLAY THE PALM MUTED 0íS, LEAD PLAYS IN THE BACKGROUND
C#|-------------------------------------------------------------|G#|-do-not-play-this-part-----------do-not-play-this-part-------|E |-vvvvvvvvvvvvvvvvvvvvv-----------vvvvvvvvvvvvvvvvvvvvv-------|B |-------------------------------------------------------------|F#|-------------------------0-0-0-------------------------0-0-0-|B |-0-10h12-12~-0-10h12-12~-0-0-0-0-10h12-12~-0-10h12-12~-0-0-0-| * * * * * *
Repeat this bar twice
C#|----------------------------------------------|G#|----------------------------------------------|E |----------------------------------------------|B |-0---8---4-------------0---8---11-------------|F#|-0---8---4---0-1-2-1---0---8---11---0-1-2-1---|B |-0---8---4---0-2-3-2---0---8---11---0-2-3-2---| * * * * * * * *
C#|------------------------------------------------------------|G#|------------------------------------------------------5*----|E |------------------------------------------------------5*----|B |-----------1----------------------------1-------------5*----|F#|-0-1-2-1-0-1---0---0-0--0-0---0-1-2-1-0-1---0---0-0-0---00--|B |-1-2-3-2-1-1-0-0---0-0--0-0---1-2-3-2-1-1-0-0---0-0-0---00--| * * * * * * * * * * * * * * * * * * * * * **
C#|--------------------------------------------------------------|G#|--------------------------------------------------------------|E |--------------------------------------------------------------|B |-----------1----------------------------1-------------0-------|F#|-0-1-2-1-0-1---0---0-0--0-0---0-1-2-1-0-1---0---0-0-0-0-0-----|B |-1-2-3-2-1-1-0-0---0-0--0-0---1-2-3-2-1-1-0-0---0-0-0-0-0-3*^-| * * * * * * * * * * * * * * * * * * * * * *
C#|---------------------------------------------|G#|---------------------------------------------|E |---------------------------------------------|B |---------------------------------------8-1---|F#|-000000000---000000000------------0000-8-1---|B |-000000000---000000000-88775544---0000-8-1---| ********* ********* ****
C#|---------------------------------|G#|---------------------------------|E |---------------------------------|B |-0---0--------------0------8-1---|F#|-0---0--------------0------8-1---|B |-0---0---88775544---0------8-1---|
Repeat this bar 4 times
C#|---------------------------------|G#|---------------------------------|E |---------------------------------|B |---------------------------------|F#|---------------------------------|B |-11-0-0---0-12-0-0---0-11-0-8-0--|
Alternate between these two bars
C#|-----------------|G#|-----------------|E |-----------------|B |-8-----7-5---7---|F#|-8-----7-5---7---|B |-8-----7-5---7---|
C#|---------------------------------|G#|---------------------------------|E |---------------------------------|B |---------------------------------|F#|-------------------------/10-8-7-|B |-0-10h12-12~-0-10h12-12~---------|
Again, the tremolo part sounds better when played along w/lead Repeat 4 times
C#|----------------------------------------------------------------|G#|----------------------------------------------------------------|E |----------------------------------------------------------------|B |----------------------------------------------------------------|F#|-00---0-00-00---00000---00---000000---0-00-00-------------------|B |-00---0-00-00---00000---00---000000---0-00-00-55555555-77777777-| ** * ** ** ***** ** ****** * ** **
C#|-------------------------------------|G#|-------------------------------------|E |-------------------------------------|B |-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-----|F#|-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0---|B |-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0---| *
Or
C#|-------------------------------------|G#|-------------------------------------|E |--7-7-7-7-7-7-7-7-7-7-7-7-7-7-7-7----|B |-------------------------------------|F#|--5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5--0-|B |-----------------------------------0-| *
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