INTRO:
Percussion, then bass (G# & C#'s) then:
C# A B G# G#
VERSE 1:
C#
Keeping a brave face
A
in circumstances is impossible,
cannot describe
B
so many ... decisions,
G# C#
it's impossible to know which is
the proper order,
A
the best position to be ... in,
B
take advantage, or so it seems
E-----------------------------------------------------|B-----------------------------------------------------|G-----------------------------------------------------|D-------------6-6-6-----6-6-6-6-------6-6-----6-6-----|A-------------6-6-6-----6-6-6-6-------6-6-----6-6-----|E-------------4-4-4-----4-4-4-4-------4-4-----4-4-----|------------------------------------------------------| the way it go-o-o-o-o-o-o-o-o-o-o-o-o-oes.
INTERLUDE:
E---------------------------------------------------------------|B---------------------------------------------------------------|G------6--5--6--5--6--5-----------------------------------------|D---6--6--6--6--6--6--6-----------4--6-----------4--6--6--4-----|A---6--6--6--6--6--6--6--4--4--7-----------4--7--------------7--|E---4--4--4--4--4--4--4-----------------------------------------|
E---------------------------------------------------------------|B---------------------------------------------------------------|G---------------------------------------------------------------|D---------------------------------------------------4--6--------|A---------3h-4--6--------3h-4--6--6--4p-3--4--4--7--------------|E---4--4--------------4-----------------------------------------|
E---------------------------------------------------------------|B---------------------------------------------------------------|G---------------------------------------------------------------|D---------4--6--6--4--------------------------------------------|A---4--7--------------7--------3h-4--6------6/7--7--7--6--------|E------------------------4--4-----------------------------------|
VERSE 2:
MAIN LYRICS | BACKGROUND
|
C# |
So it goes, at two to one, | (So just
|
A |
in the dark, dark my friend, | get down on the other side.
|
B |
strangers in my bed, | Too easy, for nobody to know.
| [too busy to notice me? at all?] |
turn my head, | You're soaking wet,
|
G# |
again. | you talk too much,
| it's not necessary.)
|
|
C# |
So he goes, | (Look for the eyes and mouth
|
|
two in two, | I just want to say
|
A |
looks content, | "This kid is yours,
|
|
feels the mood, and then | your eyes and mouth."
|
B |
fumbling 'round, | Somewhere
|
|
tumbling down | I draw the line
|
G# |
again. | like a gossip
| already.)
E------------------------|B------------------------|G------------------------|D---------6-6-----6-6----|A---------6-6-----6-6----|E---------4-4-----4-4----|
CODA:
(essentially the same as the interlude, concluding with a solid C#)
